supported by 4 fans who also own “Primera causa della rupturo Centazzo”
I can't get through any new Bill Orcutt record without getting excited, but here he has gone one step further. Can we talk about invoking the spirit of counterpoint now? jiristepan
supported by 4 fans who also own “Primera causa della rupturo Centazzo”
unlike any sax/ string collaboration ive ever heard. leigh and brötzmann never try to overpower one another, instead, collaborating as one and respecting one anothers prowess, with each leading the music at various points while leaving room for the input of the other. i do want to shout out leighs ability to create chaos with her pedal steel without resorting to amp distortion, its amazing. ronnie dion